Basic Photography of Colour Psychology
Commonly, colors are considered as generators of emotions. It is true that every coloristic stimulus has effects on the nervous system, but one must also consider that the human psyche is not only dependent on neurological factors but that it is.Constituted by a series of conscious and unconscious energies. Each person has a way of experiencing emotions and affections, and consequently interprets colors differently.
It is also necessary to consider that the symbolic meaning of colors, in psycho-chromatic terms smiles multimedia, is manifested as psychosomatic energy that is transposed from the unconscious and then sent to consciousness in terms of emotional and emotional feelings; Therefore, as each person can interpret colors in a different way, there is still a chromatic symbolism tied to the unconscious of man, uncontrollable at a rational level. In fact, this psycho-chromatic energy derives from archetypal colors valencies, the original factors that constitute the psyche in its conscious and unconscious aspects.
However, this archetypal color energy produces its psychic influence according to the psychological subjectivity of each, giving rise to different responses depending on the circumstances and personalities.
According to Jung, living beings throughout the history of humanity, always witnessing the same events, have created archetypes, common to all human beings. Archetypes are a priori factors, and appear in the individual context by assuming subjective characters. Archetypes are therefore universal, but vary from culture to culture and from single to single; Just as colors do.
All this to say that every color does not always correspond to a universal archetypal heat but that some color qualities have archetypal relevance and consequently psychic effects on the emotional, affective, interpretive and expressive level. The colors of nature, earth, and sky are all archetypal in the human mind.
The subjective psyche generates its own chromatic symbolism, as well as sympathy dislike for some specific colors. Such forms of attraction or repulsion towards a color may also depend on previous experience of the person.
When you want to harmonize colors with their brightness, the colored space should be inversely proportional to brightness. For example, since purple is three times less bright than yellow yellow, it should occupy a space three times greater in the scene, so as to achieve a harmonized and homogeneous effect in terms of brightness.
This color harmonization can be performed for each pair of colors, calculating the angles that are close to the white of each color of the pair.
The angles of the added spectral colors give 360 ??degrees inside the chromatic circle yellow 30 °, 40 ° orange, magenta and green 60 °, cyan 80 ° and violet 90 °. So, taking yellow and green, for example, their ratio is 3060 or 12.